作者 Dossin, Catherine, author.

標題 The rise and fall of American art, 1940s-1980s : a geopolitics of Western art worlds / Catherine Dossin.

目錄
	List of Figures and Tables					ix
	Acknowledgments					xi
	Introduction: From the "Fall of Paris" to the "Invasion of New York"					1
	A Geopolitical Analysis of Western Art Worlds					2
	A Story of Risings and Fallings					7
1.	"Art ... a language that should unite": The Diversity of the Postwar Art Worlds					13
	Rebuilding, Re-educating, and Redefining Germany					14
	Engaging Italy in the World					21
	Preserving the Image of la Belle France in an Informe World					27
	Reinserting Belgium into the Grand Movement of International Art					32
	Asserting the Individuality of American Art					38
	Conclusion					44
2.	Vehemences Confrontees: The Limits of Postwar Artistic Exchanges					53
	Franco-German Reconciliation					54
	The American Presence in France					58
	The Limits of U.S. Influence in West Germany					63
	The American Fascination with Italy					68
	The Emergence of a New European Network					72
	Conclusion					78
3.	"We will always have Paris": The Domination of Paris in the 1950s					85
	The Lasting Prestige of the Parisian Artists					85
	Paris and the Art Boom					91
	The Weaknesses of the Parisian Market					96
	Poverty of the Visual Arts in France					100
	The Choice of the Past					103
	Conclusion					106
4.	"The future is in New York": The Strength of the U.S. Art Worlds in the Late 1950s					113
	The Success of American Museums					113
	American-Type Collectors					117
	The Mass-Mediatization of Art					121
	Selling Contemporary (American) Art					127
	Exporting American Art					135
	Conclusion					142
5.	This Is Tomorrow: The Triumph of the American Way in the 1960s					151
	The Kennedy Slide and the Collapse of the Parisian Market					151
	The Rise of American Pop Art					158
	Pop Whaams Through Europe					164
	The Sidelining of Paris in the New Cultural Environment					168
	The Triumph of American (Pop) Art					175
	Conclusion					182
6.	I Like America and America Likes Me: The European Domination of American Art in the 1970s					189
	The European Enactment of the American Domination					190
	The Active European Promotion of the Newest American Trends					195
	The Slow Collapse of the American Support System					202
	The Continuous Support of American Art in Europe					208
	American Art's Dependence on Europe					216
	Conclusion					220
7.	A New Spirit in Painting: The European Comeback of the 1980s					229
	The Reconstruction of the Western European Art Worlds					231
	In the Shadow of American Art					237
	Repackaging Contemporary European Art					245
	The Germans Invade New York					253
	The End of the Universal, Modernist Model					264
	Conclusion					269
	Epilogue: Consequences of the European Comeback					277
	The Incorporation of European Artists into the Canon					277
	The Repositioning of Europe in the Contemporary Art Worlds					280
	The Transformation of the Western Art Worlds					285
	Annotated Index of People and Institutions					289