| 载体形态 |
xi, 241 p. : ill. ; 23 cm. |
| 丛编 |
Cambridge studies in film.
|
| Bibliography |
Includes bibliographical references (p. 231-235) and index. |
| Contents |
The returned image -- Art and film: New York City in the late 1970s: Jack Goldstein, Robert Longo, Cindy Sherman, Amos Poe -- Generic returns - the dream has ended: Badlands, Texas Chainsaw Massacre, The Shootist, The Last Waltz -- Re-considering the nostalgia film: American Graffiti, The Conformist, Rocky Horror Picture Show -- A return to the 1950s - the dangers in Utopia: Grease, Last Exit to Brooklyn -- Coppola and Scorsese - authorial views: Apocalypse Now, One From the Heart, The Last Temptation of Christ -- To destroy the sign: Gus Van Sant's Psycho, Geronimo, JFK. |
| Local Note |
Testing how this works in Sierra |
| 主题 |
Nostalgia in motion pictures.
|
|
Nostalgia in art.
|
|
Art, American -- 20th century.
|
| 国际标准书号 |
0521815681 |
|
0521016312 (pbk.) |
|
