Ma bibliothèque

LEADER 00000cam a22006854i 4500 
001    ocn900031209 
003    OCoLC 
005    20151127113208.2 
008    150120s2015    enka     b    000 0 eng   
010    2015001177 
015    GBB541475|2bnb 
019    919000732 
020    9781137393654 (hardback) 
020    1137393653 (hardback) 
035    (OCoLC)900031209 
040    DLC|beng|erda|cDLC|dYDX|dBTCTA|dBDX|dOCLCF|dYDXCP|dCDX
       |dZCU|dCIA|dSTF|dNLE|dNhCcYME 
042    pcc 
049    RBNN 
050 00 GV1785.K463|bM58 2015 
090    GV1785.K463|bM58 2015 
100 1  Mitra, Royona,|d1978- 
245 10 Akram Khan :|bdancing new interculturalism /|cRoyona Mitra,
       Brunel University London, UK. 
264  1 Houndmills, Basingstoke, Hampshire ;|aNew York :|bPalgrave
       Macmillan,|c2015. 
300    xviii, 197 pages :|bcolor illustrations ;|c22 cm. 
336    text|btxt|2rdacontent. 
337    unmediated|bn|2rdamedia. 
338    volume|bnc|2rdacarrier. 
490 1  New world choreographies. 
504    Includes bibliographical references (pges 179-192) 
520    "Akram Khan: Dancing New Interculturalism analyses the 
       relationship between this seminal British-Asian 
       choreographer's complex identity-positions and his art 
       through the lens of 'new interculturalism'. Through seven 
       key case studies from Khan's oeuvre, this book 
       demonstrates how Khan's philosophy and aesthetic of 'new 
       interculturalism' is a challenge to the 1980s 
       predominantly western 'intercultural theatre' project, as 
       a more nuanced and embodied approach to representing 
       Othernesses, from his own position of the Other. 
       Additionally, the book challenges popular perception of 
       Khan's art as contemporary South Asian dance by suggesting
       that, instead, Khan uses South Asian dramaturgical 
       principles to transform the western contemporary dance 
       landscape in intercultural ways. Offering the first full-
       length investigation of Akram Khan's work, this book is 
       essential reading for students, researchers, practitioners
       and fans of Khan's work"--|cProvided by publisher. 
600 10 Khan, Akram,|d1974-|xCriticism and interpretation. 
776 08 |iebook version|z9781137393661. 
830  0 New world choreographies. 
907    .b76521564|b04-12-16|c10-02-15 
910    OCLC BibNote|bMaster record variable field(s) change: 776 
910    RDA ENRICHED 
910    ybp 
910    Backstage 
910    TOC 
910    Hathi Trust report SPM 
910    BROWNu 
970 01 |tList of Images|pviii 
970 01 |tSeries Editors' Preface|pix 
970 01 |tPreface|pxi 
970 01 |tAcknowledgements|pxvi 
970 01 |tIntroduction|p1 
970 11 |l1.|tKhan's Body-of-Action|p31 
970 11 |l2.|tCorporeal Gestures in Gnosis (2010)|p52 
970 11 |l3.|tAuto-ethnography and Loose in Flight (1999)|p71 
970 11 |l4.|tThird Space Politics in Zero Degrees (2005) and Desh
       (2011)|p92 
970 11 |l5.|tMobility and Flexibility in Bahok (2008)|p115 
970 11 |l6.|tQueering Normativity in iTMOi (2013)|p137 
970 01 |tConclusion|p154 
970 01 |tAppendix: List of Performances|p169 
970 01 |tNotes|p171 
970 01 |tBibliography|p179 
970 01 |tIndex|p193 
998    r0001|b10-02-15|cm|da|e-|feng|genk|h0|i1 
998    r0001|b10-02-15|cm|da|e-|feng|genk|h0|i1