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Table des matières | ||||||
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Series Editors' Preface | vii | |||||
Acknowledgments | ix | |||||
Introduction: Approaches to classical music in British literature, 1870--1945: Theory and practice | 1 | |||||
1. | The liberalization of music in aesthetic literature: Pater and Oxford | 17 | ||||
2. | Modernism's distinctive musical rhetoric: Eliot, Huxley, and Woolf | 55 | ||||
3. | The musical refinement of society's margins: Bennett, Burke, Lawrence, and their contemporaries | 95 | ||||
4. | Distinguishing a musical homoeroticism: Pater, Forster, and their aesthetic descendants | 139 | ||||
5. | Classical music, cosmopolitanism, and war: From authors to audiences | 185 | ||||
Conclusion: A literary coda: Classical music in British literature | 229 | |||||
Works Cited | 231 | |||||
Index | 253 |
Localisation | Cote | Statut |
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Innovative University Library | PR461 .D487 2015 | AVAILABLE |
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